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c. 1445 – May 17, 1510. Italian painter.

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Hubert Robert
Demolition of the Houses on the Pont Notre-Dame in 1786

ID: 92766

Hubert Robert Demolition of the Houses on the Pont Notre-Dame in 1786
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Hubert Robert Demolition of the Houses on the Pont Notre-Dame in 1786


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Hubert Robert

(22 May 1733 - 15 April 1808), French artist, was born in Paris. His father, Nicolas Robert, was in the service of François-Joseph de Choiseul, marquis de Stainville a leading diplomat from Lorraine. Young Robert finished his studies with the Jesuits at the College de Navarre in 1751 and entered the atelier of the sculptor Michel-Ange Slodtz who taught him design and perspective but encouraged him to turn to painting. In 1754 he left for Rome in the train of Étienne-François de Choiseul, son of his father's employer, who had been named French ambassador and would become a Secretary of State for Foreign Affairs to Louis XV in 1758.   Related Paintings of Hubert Robert :. | Washerwomen in the Ruins of the Colosseum | Robert The Fountain Kimbell | Freitreppe im Schlob von Caprarola | Freitreppe im Schlob von Caprarola | Dimensions and material of painting |
Related Artists:
Jules Cheret
French Printmaker , 1836 - 1932 Paris was a French painter and lithographer who became a master of poster art. Often called the father of the modern poster. Born in Paris to a poor but creative family of artisans, a lack of finances meant Jules Cheret had a very limited education. At age thirteen, he began a three-year apprenticeship with a lithographer and then his interest in painting led him to take an art course at the Ecole Nationale de Dessin. Like most other fledgling artists, Cheret studied the techniques of various artists, past and present, by visiting Paris museums. He was trained in lithography in London, England, from 1859 and 1866, and there he was strongly influenced by the British approach to poster design and printing. On returning to France, influenced by the scenes of frivolity depicted in the works of Jean-Honore Fragonard and other Rococo artists such as Antoine Watteau, Cheret created vivid poster ads for the cabarets, music halls, and theaters such as the Eldorado, the Olympia, the Folies Berg??res, Theatre de l'Opera, the Alcazar d'Ete and the Moulin Rouge. So much in demand was he, that he expanded his business to providing advertisements for the plays of touring troupes, municipal festivals, and then for beverages and liquors, perfumes, soaps, cosmetics and pharmaceutical products. Eventually he became a major advertising force, adding the railroad companies and a number of manufacturing businesses to his client list. As his work became more popular and his large posters displaying modestly free-spirited females found a larger audience, pundits began calling him the "father of the women's liberation." Females had previously been depicted in art as prostitutes or puritans. The women of Cheret's posters, joyous, elegant and lively - 'Cherettes', as they were popularly called ?? were neither. It was freeing for the women of Paris, and lead to a noticeably more open atmosphere in Paris where women were able to engage in formerly taboo activities, such as wearing low-cut bodices and smoking in public.
Christian Schilbach
( -1742 ) - Painter
Ramon marti alsina
Spanish , 1826-1894 He studied in Paris in successive stages over which he came to know the work of Courbet, the French Realists and the Barbizon school. In the end he even adapted to Impressionism. He is considered the best representative of Spanish Realism..






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